Your goal is to enjoy your day right? So that made me think: that’s too much to control. But with Rondinone, it’s as if “The Thinker” has wandered somewhere over the rainbow. Art is art when it represents part of the world. His colorful, poetic works, like dog days are over and seven magic mountains , have graced both high- and low-traffic public spaces, spreading inspirational messages of optimism and love. Routine helps me to organize my activities as an artist. For me, a reason to stop is when I have an outside system that tells me to stop. The clown, I suspect, is Rondinone himself. Some people associate them with happy memories while others fear them. On blogging and inspiration, Private opening of the Rijksmuseum: Rembrandt portraits Marten and Oopjen, City Art: the art hub in Rotterdam you didn’t know about, Van Gogh, Keith Haring and fashion exhibitions, Fashion photographer Guy Bourdin shocks Somerset House. In your exhibition a few years ago at the Rockbund Art Museum in Shanghai, you used live performers instead of sculptures. How do routines and rituals shape your work? Rockbund Art Museum. Still, language, sound, and a penchant for the lyrical often figure prominently in Rondinone’s work. Outside flowers are wilting in the heat, but inside under the arched doorways all is cool and quiet. Ugo Rondinone . Follow Museologue at Bloglovin’ and never miss posts! Entertainment. His work has been shown in solo exhibitions around the world, from the Centre Pompidou in Paris to the Kunsthalle Wien in Austria. Many people will tell you that their little sister could assemble this, too. Seemingly lighthearted motifs including rainbows, clowns, and clown shoes take on a melancholy tone in this riveting and psychologically intense installation. Courtesy of Ugo Rondinone. Ugo Rondinone’s Whimsical Art Installation with Clowns. But with Rondinone, it’s as if “The Thinker” … Is all that what your little sister could create? Ugo Rondinone(born 1964) is a New York-based, Swiss-born mixed-media artist noted for a range of contemporary paintings and sculptures. The 2016 installation is visible along I-15, but you better hurry. Shanghai, 30 October 2014. Ugo Rondinone Art Clown Color Arty. Otherwise, be inspired with these photos for now. And therefore, it can’t be real art. Wasn’t that what the old masters wanted their paintings to look like, realistic? Swiss-born artist Ugo Rondinone entered Shanghai’s Rockbund Art Museum (RAM) like a human prism, shattering the usual museum wall white into the full spectrum of visible color. Rondinone’s clowns are closer to Rodin’s “The Thinker” than to either Bozo or the Insane Clown Posse. I was influenced by On Kawara, but, while he has a mute, almost cold recollection of his day, I fill it up with an emotion. I hear that all the time, but I’ve never met anyone who is afraid. If you should “get” anything from this exhibition, Uno Rondinone would like you to take this thought: look around like children do. Developing surprising sensorial environments, he especially likes destabilizing our perceptions and unsettling our certainties. Ugo Rondinone, No One’s Voice (没有谁的声音) (2006). Presented as a constellation, Rondinone marries elements he has used in the past to “bring all those groups together in a colorful symphony.” This groundbreaking collage epitomizes the artist’s ongoing desire to translate a heightened spectrum of psychological states into environments that provoke corresponding moods in the viewer. The performers were instructed not to interact, but because they’re actors, sometimes they did. Yes. Sam Gaskin. It’s like sitting down with poetry. Ugo Rondinone. They were all over seventy years old. 45 hyperrealistic clowns cast from male and female models make up the installation vocabulary of solitude from 2014. Tavel, Julien. Clowns. Shanghai, 30 October 2014. Rondinone draws from the history of art, music, literature and film. At once distinct and interrelated, the works installed in this room cross-pollinate, shaping a single narrative. Ugo Rondinone’s exhibition will open to the public on Saturday, 17 th August. You have to read it again and again, give it time, and then you’ll understand it.” Do you agree? sunset i-v, 2014. 45 hyperrealistic clowns cast from male and female models make up the installation vocabulary of solitude from 2014. It’s very complicated—but it isn’t. The recent sculptures nuns + monks by Ugo Rondinone take their rightful place in the continuity of a narrative introduced by the artist thirty-two years ago. Ugo Rondinone’s exhibition will open to the public on Saturday, 17 th August. Transfigured matter . ugo rondinone born 1964 brunnen, switzerland lives and works in new york The clowns, he says, are emblematic of Rondinone's merging of joy and sorrow. As Avgikos states in her curatorial essay, “the clown is the artist.” And vice versa, Ugo Rondinone’s reclining figure might say, fairy dust circling his … Ugo Rondinone - Vocabulary of Solitude - Museum Boijmans Van Beuningen. For Ugo Rondinone, the architecture is always a framework and a stimulus. L’opera che l’artista svizzero Ugo Rondinone (Brünnen, 1964) ha concepito appositamente per il Palazzo delle Esposizioni riunisce in una complessa drammaturgia elementi diversi: installazione, scultura, fotografia e suono. Set in the desert of Jean, the seven 30 to 35-foot-high dayglow totems are made with painted, locally-sourced boulders. Let the feeling go of having got anything useful to say afterwards. More about Ugo Rondinone’s exhibition They have to go to the toilet, they get hungry, they feel uncomfortable. Which aptly sums up our feeling towards the sculpture’s creator, This wonderful place called sleep. Just as well, let the idea go that this is bullocks. Did you spend much of your childhood playing outdoors? Ugo Rondinone (*1963, Switzerland) has lived in New York for several years. Rondinone is widely known for his temporary, large-scale land artsculpture, Seven Magic Mountains (2016–2021),with its seven fluorescently-painted totemsof large, car-size stones stacked 32 feet (9.8 m) high. Old gnarled trees, tiny birds, bronze horses: they are the same and yet all different - and this also applies to the primitive human figures made up of rough blocks of stone. Resonant figures and objects such as clowns, mirrors, targets and windows exist in dreamy, atmospheric installations, where time slows down and vision diffused. , includes concentric circles of blurred colors, plastic filters placed over the museum’s windows … Find clowns by the Kunsthalle, Kansalaistori Square, Senate Square, Esplanade Park and the Koulupuistikko Park by the Design Museum. You need know nothing about Ugo Rondinone (Brunnen 1964) to understand what his work is all about. As the introduction video of the exhibition shows, Ugo Rondinone is a perfectionist. Arken’s 150-metre-long Art Axis forms the setting for the exhibition. Artist Ugo Rondinone has converted an abandoned church into one of the most divine live/work spaces in New York. I find out that I’m pretty happy today, as I only see some quieting melancholy and it doesn’t make me feel sad at all. Ugo Rondinone ... "Ugo Rondinone – Vocabulary of Solitude" at Museum Boijmans van Beuningen, Rotterdam (2016) Ugo Rondinone. ugo rondinone born 1964 brunnen, switzerland lives and works in new york Issue 44 - Art and Optimism in Cataclysmic Times. Old gnarled trees, tiny birds, bronze horses: they are the same and yet all different - and this also applies to the primitive human figures made up of rough blocks of stone. Ugo Rondinone: Our Magic Hour, Museum of Contemporary Art, Australia, 25 Jun 2003–31 Aug 2003. Ugo Rondinone (b. When did the clowns first appear in your work? There was the world of my parents, the rural Italian landscape where everything is dry and desert-like, the colours are earth and stone, and Switzerland, where everything is green and has this kind of exuberance. Swiss-born artist Ugo Rondinone entered Shanghai’s Rockbund Art Museum (RAM) like a human prism, shattering the usual museum wall white into the full spectrum of visible color. (140 x 82 x 82cm.) His art often dances wildly on the overlapping area between crazy happiness and sheer sadness, leaving it to the viewers where on the spectrum they are that day. Clowns. When a child came in, of course they wanted to do something. The exhibition is a representation of a part of our emotions that we don’t often allow to be. Ugo Rondinone: the world just makes me laugh incorporates imagery and themes from popular culture as well as drawing inspiration from historical art movements such as Romanticism and Surrealism. Growing up, I was always between two worlds. They breathe, stones. “Ugo Rondinone ‘Breath Walk Die’ at the Rockbund, Shanghai,” Time Out Shanghai, October 14, 2014. Luchtpark Hofbogen Rotterdam: all that’s needed for a rooftop park, The most important art events in November (Netherlands), New focus at Museologue! “On Exhibit | Ugo Rondinone ‘Breath Walk Die’ … Spanning a broad array of material practices and media, Ugo Rondinone’s works are often unsettling and deal with themes of isolation and disenchantment. 1964) The Second Hour of the Poem cast wax and pigment 55 1/8 x 32 ¼ x 32 ¼in. Works by Ugo Rondinone sorted by artist surname viewing all 12 results (view 1 on display at the Gallery, view 12 with images available) Sorted by artist surname oldest first (excludes undated works) newest first (excludes undated works) title image availability accession number A small pane of stained glass casts its colours on the foyer, and here’s an arrangement of pastry, peaches and strawberries on the table, all too pretty to eat. That it’s not really art or that it is childish. I always saw the clowns as modern-day shamans. It’s a hidden work because I don’t document it. Is it art to fill a large hall with 45 dolls wearing clown outfits? Since 1992, this circus mainstay has regularly made its appearance in his performances, video recordings, installations, paintings, photographs, and sculptures. Rondinone is an energetic man in his early 50s, with an expressive face, close-cropped hair and a salt-and-pepper beard. Whether it was the Australian Centre for Contemporary Art in South Melbourne, known as the ‘urban Uluru’, or Sydney Harbour’s Museum of Contemporary Art, Rondinone contributed amazing works for each of the two venues. Are there aspects of your work that are more for you than your audience? There’s no value attached, they’re just passive. You won’t know which ones they are until they move. Enclosing myself and inventing my own world open to the Kunsthalle, Kansalaistori,. 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